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NiSi Full Spectrum Cinema FS ND 4��5.65��� Nano Ti Neutral Density Filter (0.3) ��� 1 Stop

NiSi Full Spectrum Cinema FS ND 4��5.65��� Nano Ti Neutral Density Filter (0.3) - Main image
$349.3 $499 In stock

Category: Lens Filter

Unlock cinematic precision with the NiSi Full Spectrum (FS) ND Filter, expertly engineered to reduce the amount of light entering your lens without compromising color accuracy. Designed for filmmakers and cinematographers, this high-performance filter allows you to shoot at wider apertures or slower shutter speeds, enabling creative control over depth of field and motion blur—even in bright lighting conditions.

What's in the box?

NiSi Full Spectrum Cinema FS ND 4×5.65″ Nano Ti Neutral Density Filter (0.3) – 1 Stop
Tech Specs

  • Full Spectrum Solid Neutral Density Filter Reducing the Amount of Light Entering Lens
  • Allows Shooting at Wider Apertures or Reduced Shutter Speed
  • Pure Neutral Color with Consistent Color Across the Entire FS ND Range. Capture of true-to-life images.
  • Optical glass with precise flat and parallel surfaces that guarantee sharpness.
  • Exceptionally accurate and consistent exposure control.
  • Eliminates IR pollution on any camera.
  • Titanium Coating for long filter life.
  • Hydrophobic and oleophobic coating for easy and fast cleaning.
  • Cutting-edge anti-reflective coating minimizes flare and preserves overall contrast.
  • Optical properties are permanently stable and will not fade over time.
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Customer Reviews (5.0 / 5 · 5 reviews)

Chloe ★★★★★

Finally, an ND filter that doesn't tint my footage green — the Nano coating seems to cut reflections perfectly. I’ve used it for a sunny outdoor shoot and the 1-stop reduction let me keep my aperture wide open without overexposing.

Riley H. ★★★★★

Had to stop down for a shallow depth-of-field in harsh midday sun, and this filter handled it perfectly — zero color shift or weird reflections. The nano coating makes cleaning off dust a breeze between takes.

David L. ★★★★★

Used this on a bright afternoon shoot and the 1-stop reduction was perfect for maintaining that shallow depth of field without blowing out the highlights. The glass kept the colors natural, no weird color cast to fix in post.