Camera Clix

NiSi ATHENA PRIME Full Frame Cinema Lens MASTER Kit with 8 Lenses 14mm T2.4, 18mm T2.2, 25mm T1.9, 35mm T1.9, 40mm T1.9, 50mm T1.9, 85mm T1.9, 135mm

NiSi ATHENA PRIME Full Frame Cinema Lens MASTER Kit with 8 Lenses 14mm T2.4, - Main image
$11099.26 $14999 In stock

Category: Lens

Step into the world of elite cinematography with the NiSi ATHENA PRIME MASTER Kit, featuring eight precision-crafted full-frame lenses:
14mm T2.4, 18mm T2.2, 25mm T1.9, 35mm T1.9, 40mm T1.9, 50mm T1.9, 85mm T1.9, and 135mm T2.2—all bundled in a durable hard case.

Designed for full-frame sensors and built with a 46mm image circle, this comprehensive set delivers exceptional sharpness, micro-contrast, and ultra-low chromatic aberration. Each lens offers consistent weight and unified focus/iris positions, making lens swaps effortless on set.

What's in the box?

The MASTER Kit includes:

  • Athena 14mm T2.4
  • Athena 18mm T2.2
  • Athena 25mm T1.9
  • Athena 35mm T1.9
  • Athena 40mm T1.9
  • Athena 50mm T1.9
  • Athena 85mm T1.9
  • Athena 135mm T2.2
  • Hard Case (for 9 lenses)
Tech Specs

Lens Mount

E Mount

Aperture

T1.9-T22, T2.2-T22, T2.4-T22

Aperture Blades

10

Imaging Circle

46mm

Gear MOD and Pitch

Focus: 0.8 MOD / 32 Pitch

Focus Rotation Angle

300°

Front Diameter

80mm / 3.15"

ATHENA PRIME E Mount | No Drop In Filter

MASTER Kit (8 Lenses)

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Customer Reviews (5.0 / 5 · 5 reviews)

Charlotte ★★★★★

The wide end of this set is incredible—the 14mm T2.4 pulls in a huge field of view with almost no distortion at the edges. I’ve been using the 35mm T1.9 for interviews all week, and the consistently smooth focus pull across the whole kit saves so much time on set. The hard case is also a relief; eve

Michael ★★★★★

The 135mm T2.2 has such beautiful bokeh, it made my close-ups look like they were shot on a much more expensive set. The whole kit’s consistent T-stop across the primes is a lifesaver for matching shots.

Nicholas N. ★★★★★

Pulling that 14mm T2.4 out of the hard case for the first time, I was immediately struck by how solid and well-balanced it feels on my Sony E-mount body. The true constant aperture across all eight lenses means I can swap from the 18mm to the 85mm mid-scene without any exposure shifts. Once I matche